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Education
1993
Bachelor of Arts (Visual Arts), University of Regina, Regina, Canada
1989
Diplôme Semestriel de Langue et Civilisation Françaises, Université de la Sorbonne, Paris, France
1988
Certificat Practique de Langue Française (ler degré), Université de Perpignan, Perpignan, France
1984 & 1988
The Banff Centre, Banff, Canada
1979
Advanced Diploma (Ceramics), Emily Carr College of Art & Design, Vancouver, Canada
1976
Bachelor of Education (Fine Arts), University of Regina, Regina, Canada
Awards
2000
Prix Pierre Legault, 9e Biennale Nationale de Céramique
The Emily Awards, 75th year, Emily Carr Institute of Art and Design (Vancouver School of Art)
1992
Commission for the City of Regina Civic Art Collection (for History + Memory2 = )
Jean Oser Award of Merit, Original Concept for j/g (video), Yorkton Film Festival
Selected Solo Exhibitions
2002
familiar…but foreign, Prime Gallery, Toronto, Canada
1999
The Works, Philadelphia, U.S.A.
1997
“ouvrez les guillemets…”, Dunlop Art Gallery, Regina, Canada
Cups: Kamares - Sèvres, Prime Gallery, Toronto, Canada
1996
Black Cup, Art Gallery, Mount St. Vincent University, Halifax, Canada
1994
Porcelain Vessels, Artworks, Seattle, U.S.A.
1991
Chiaroscuro, Dunlop Art Gallery, Regina, Canada
1990
The Sèvres Suite, Prime Gallery, Toronto, Canada
April/Paris, grunt gallery, Vancouver, Canada
1987
Angelus Factus, Provincial Essays, Vancouver, Canada
1981
New Porcelain Work, Pat Bay Pottery, Victoria, Canada
Selected Group Exhibitions
2001
Peripheral Vision, (with Les Manning ) Galerie leVieux-Bourg, Lonay-près-Morges, Suisse
Cineramics, (with Greg Payce) Art Gallery of Calgary, Canada
2000-1
Strangers in a Strange Land, Rosemont Art Gallery, Regina, Canada
Earth Works, Expo 2000, Hannover, Germany; Gardiner Museum, Toronto, Canada
2000
Emily’s Plates, Canadian Craft Museum, Vancouver, Canada
Cultural Cross-Currents: ConTexts, Mackenzie Art Gallery, Regina, Canada
Voyages, 9e Biennale Nationale de Céramique, Trois Rivières, Canada
1999
Tables of Inertia ( a photo-ceramic installation with David Skingle),
+ Past/Future (a video installation with Barbara Sternberg), theantechamber, Regina, Canada
Toronto Collects Contemporary Ceramics, Gardiner Museum, Toronto, Canada
Canada-Ceramics Today/Céramiques d’aujourd hui, Amsterdam, Faenza, Toronto, Canada
Clay at the Crossroads, Winnipeg Art Gallery, Winnipeg, Canada
Efforescence I, Canadian Craft Museum, Vancouver, Canada
1998
A Question of Identity, Canadian Clay and Glass Gallery, Waterloo, Canada
International Contemporary Ceramics, Laguna Art Museum, Laguna Beach, U.S.A.
Private Spaces/Public Interfaces, MacKenzie Art Gallery, Regina, Canada
1997
Mixed Drinks, (with Kathryn Youngs) Provenance Gallery, Calgary, Canada
Mutual Affinities, Castellani Art Museum, Niagara University, Niagara, New York, U.S.A.
Canadian Clay Currents, Pyramid Arts Center, Rochester, New York, U.S.A.
4th Annual Teapot Exhibition, Craft Alliance, St. Louis, Missouri, U.S.A.
1994
Images '94, Festival of Independent Film and Video, NFB John Spotton Theatre, Toronto, Canada
Containment: The Space Within, Canadian Clay and Glass Gallery, Waterloo, Canada
64/94: Contemporary Decades, Charles H. Scott Gallery (ECIAD), Vancouver, Canada
1993
2nd National Cups Invitational, Artworks, Seattle, U.S.A.
Teapots III, Prime Gallery, Toronto, Canada
Vessels: A New Viewpoint, Artworks, Seattle, U.S.A.
The Celebratory Bowl, Canadian Clay and Glass Gallery, Waterloo, Canada
Jugs: Pitchers, Dippers, and Metaphors, Canadian Craft Museum, Vancouver, Canada
Teapots, Nancy Margolis Gallery, New York, NY, U.S.A.
1992
Video '92, Mendel Art Gallery, Saskatoon, Canada
Teapots, The Works Gallery, Philadelphia, U.S.A.
Teapots, Prime Gallery at 7th Annual Chicago International New Art Forms, U.S.A.
6th Annual National Student Film and Video Showcase, Yorkton and Regina, Canada
Access/Control, Dunlop Art Gallery (Branch Galleries), Regina, Canada
5e Biennale Nationale de Céramique, Trois Rivières, Canada
3e Triennale de la Porcelaine, Nyon, Switzerland
The Eccentric Vessel, Saskatchewan Crafts Gallery, Saskatoon, Canada
Canadian Clay, Galerie Barbara Silverberg at NCECA, Philadelphia, U.S.A.
1991
The Christmas Show, Susan Whitney Gallery, Regina, Canada
Teapots, Prime Gallery at 6th Annual Chicago International New Art Forms, U.S.A.
Relative Realities, Rosemont Art Gallery, Regina, Canada
Choosing Clay, Cartwright Gallery, Vancouver, Canada
Selected Collections
Burlington Art Gallery, Burlington, Canada
Canadian Clay and Glass Gallery, Waterloo, Canada
City of Regina Civic Art Collection, Regina, Canada
Claridge Collection, Montréal, Canada
The George R. Gardiner Museum of Ceramic Art, gift of Aaron Milrad in memory of
Bella and Joseph Milrad, Toronto, Canada
Indusmin Ltd., Toronto, Canada
MacKenzie Art Gallery, Regina, Canada
Municipalité de Nyon, Nyon, Switzerland
Museum of Civilization, Hull, Canada
Saskatchewan Arts Board, Regina, Canada
The Igal and Diane Silber Collection, Laguna Beach, U.S.A.
U. B. S. Switzerland (AG) Bank, Toronto, Canada
Winnipeg Art Gallery, Winnipeg, Canada
Selected Bibliography
5e Biennale Nationale de Céramique. Trois Rivières: Galerie d'art du Parc: 1990: 53.
9e Biennale Nationale de Céramique. Trois Rivières: Galerie d'art du Parc, 2000: 20, 21.
Beatty, Greg. “Jeannie Mah -- Chiaroscuro.” The Craft Factor. 16.2 (Fall 1991): 48-50.
Beatty, Greg. “Ouvrez les Guillemets...” Espace. 43. 35-37. 1998.
Beatty, Greg. “To Articulate Historical Links.” The Craft Factor. 23.1 (Spring 1998) 19 - 20.
Contemporary Studio Ceramics. Collection of the Winnipeg Art Gallery. ill. 22. 1997.
Carter, Sam. 64/94: Contemporary Decades. catalogue. Emily Carr Institute of Art and Design, 1994.
Chambers, Ruth. “Where did all the women go: Ceramics.” Carfac Saskatchewan. Oct.1993. 4-8.
Chisohlm. Patricia. “In the Eye of the Beholder.” Maclean’s. vol. 114, no. 29. pp50-52. 16 July, 2001.
“Chosen Clay in Western Canada.” Ceramics Monthly. 39.7 (September 1991): 48-50.
Daniels, Calvin. “In Praise of the Eccentrics.” The Craft Factor. 17.2 (Fall 1992): 16-17.
Encyclopedia of Ceramics. Japan, 1991.
Gersovitz, Sarah. “Portrait of an Artist as Dealer.” Ceramics: Art and Perception. 10 (1992): 90-92.
Gogarty, Amy. “Cineramics.” Ceramics: Art and Perception. 46. (2001) 72 - 79.
Gogarty, Amy. “International Ceramics Conference.” Contact 111(Winter 1997): 22-26.
Gogarty, Amy. “ouvrez les guillemets...” Dunlop Art Gallery. 1998.
Herman, Lloyd. “The Collector’s Eye.” Ceramic Art and Perception. 17(1994): 7 - 11.
Images 94: Festival of Independent Film and Video Catalogue. 45.
Irving, Tam and Herman, Lloyd. Choosing Clay. Canadian Craft Museum/Potters Guild of BC. 1991.
Jordon, Betty Ann. “Jeannie Mah - Cups: Kamares - Sèvres.” Fusion. 21.3 (Autumn 1997) 14.
“Jugs.” Contact. 95 (Winter 1993-94): 4-11.
McNeil, Joan. A Question of Identity. International Academy of Ceramics. 1998.
McPherson, Ann. “Containment: The Space Within.” Ceramics: Art and Perception. 17(1994): 71-73.
Mah, Jeannie. “Subjective Ceramics.” Contact. 100 (1995 Spring): 6-9.
Mansfield, Janet. Silber Collection. Laguna Art Museum, 1998.
Marzolf, Helen. Chiaroscuro. Regina: Dunlop Art Gallery, 1991.
The New Yorker. December 1991.
Pich, Garret and Roy, Larry. “Sèvres Teacups.” The Seen. September 1992: 8, 17.
Rennie, Bill and Mah, Jeannie. April/Paris. Vancouver: grunt gallery, 1990.
Roberts, Ann. “Containment: The Space Within.” Contact. 96 (Spring 1994): 8-9.
Sullivan, Diane E. “Decoration and Ornament in Ceramic Art.” Art and Perception. 21 (1995)33-37.
+ in Making and Metaphor. Hickey, Gloria, Ed. Hull, Canadian Museum of Civilization, 1994.
Whitney, Susan. The Eccentric Vessel. Saskatchewan Craft Council, 1992.
Selected Articles
Anderson, Jack. “Artists’ show anything but nonchalant.” Leader Post. December 16, 1999.
Barham, Scott. “Clay Renaissance recaptured.” Winnipeg Free Press. December 18, 1999.
Beatty, Greg. “Going to Pot.” The Leader Post. April 26, 1993.
Beatty, Greg. “A commitment to local artists.” Leader Post. December 13, 1993.
Beatty, Greg. “Tracing the common teapot.” Leader Post. October 18, 1997.
Beatty, Greg. “Ceramics meets photography.” Prairie Dog. December 2, 1999.
Gopnik, Blake. “Bridging that gap between art and craft.” Globe and Mail. June 23, 1999.
Gopnik, Blake. “When a simple pot becomes a work of art.” Globe and Mail. July 13, 1999.
Jordan, Betty Ann. “Porcelain Vessels both playful and cerebral.” Globe and Mail. March 15, 1997.
Jordan, Betty Ann. “Tactility and intent in ceramic art.” Globe and Mail. July 18, 1998.
Vansittart, Katharine. “A Crafty Way to Decorate the Home.” The Globe and Mail. July 22, 1993.
Radio, Video, Film
2000
The House Project, Performance by Michael Toppings
1998
Ubu Roi, Curtain Razors, MacKenzie Art Gallery, Multi-media set design with Charlie Fox
1997
Past/Future, Video with Barbara Sternberg
1996
Remember in between the Forget, Film by Tobi Lampard, Art Direction with Felipe Diaz
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